Teatro delle Muse<\/a><\/span><\/p>\n
\nTEATRO DELLE MUSE \u2013 CORELLI<\/strong><\/em>
\nBuilt in 1827 on a project by Pietro Ghinelli in the neoclassical style, it has the typical horseshoe shape and 4 orders of cabins, the Teatro delle Muse in Ancona has been reopened on the 13 October 2002. It is now a new and rich building with a life of its own, made of evocative juxtapositions. Since it was damaged by the bombings of World War II, it had been closed for many years. The new project by the architects Danilo Guerri and Paola Salmoni was completed in 2002. Its rationale is the struggle for a harmonious relationship between the modern interior and the neoclassical facade. The project aimed to the preservation the surviving parts (the entrance staircase, the old hall) and to the creation of a conceptual continuity with the city outside, where the emphasis is on the public areas of the theater (hall, foyer, reception room). The result is a theater-square made of materials that evoke the nomadic and precarious spirit of the “show” (wood and metal, trellises and galleries) but at the same time the spirit of the monument (bricks and stones, rhetorical shapes and collective meanings).<\/em>
\nThe fireproof curtain is also of great artistic significance. It was made by the sculptor Valeriano Trubbiani and it is unique in Europe.<\/em><\/p>\n
\nTEATRO DELLE MUSE – CORELLI
\n<\/em><\/strong>Der Theater wurde 1827 von Pietro Ghinelli in neoklassischen Stil mit einer typischen Hufeisenform und Trib\u00fcnen auf 4 Reihen geplant. Das Theater wurde am 13. Oktober 2002 wieder er\u00f6ffnet.<\/em><\/p>\nHeute zeigt das Theater eine neue, reiche Architektur, die von bezeichnende Nebeneinanderstellung besteht. Das Theater erlittet die Bombardierungen des zweiten Weltkriegs, und aufgrund der angerichteten Sch\u00e4den war seit vielen Jahre geschlossen. Das neue Projekt von den Architekten Danilo Guerri und Paola Salmoni beendete im Jahre 2002. Grundlage des Plans ist der Kampf um eine harmonische Beziehung zwischen die moderne Innenseite und die neoklassizistische Fassade. Das Ziel des Projekts waren die Erhaltung der bleibenden Teile (Eingangstreppe, alter Saal) und die Erschaffung einer konzeptionellen Kontinuit\u00e4t mit der Stadt. Schwerp\u00fcnkte waren die \u00f6ffentliche Bereiche des Theaters (Flur, Foyer, Empfangsraum). Das Ergebnis ist ein Theater-Platz mit Materialien, die am umherziehenden und vorl\u00e4ufigen Geist des Schauspielers (Holz und Metall, Gitter und Treppenabs\u00e4tze) sowie am Geist des Denkmals (Backstein und Gestein, rhetorische Formen und kollektive Bedeutungen) erinnern.<\/em><\/p>\nDer Vorhang hat auch eine gro\u00dfe k\u00fcnstlerische Bedeutung. Er wurde vom Bildhauer Valeriano Trubbiani hergestellt und er ist in ganze Europa einzigartig.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"","protected":false},"author":69,"featured_media":12733,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_links_to":"","_links_to_target":""},"categories":[17],"tags":[],"_links":{"self":[{"href":"https:\/\/www.comuneancona.it\/ankonline\/cultura\/wp-json\/wp\/v2\/posts\/6320"}],"collection":[{"href":"https:\/\/www.comuneancona.it\/ankonline\/cultura\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/www.comuneancona.it\/ankonline\/cultura\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/www.comuneancona.it\/ankonline\/cultura\/wp-json\/wp\/v2\/users\/69"}],"replies":[{"embeddable":true,"href":"https:\/\/www.comuneancona.it\/ankonline\/cultura\/wp-json\/wp\/v2\/comments?post=6320"}],"version-history":[{"count":1,"href":"https:\/\/www.comuneancona.it\/ankonline\/cultura\/wp-json\/wp\/v2\/posts\/6320\/revisions"}],"predecessor-version":[{"id":12734,"href":"https:\/\/www.comuneancona.it\/ankonline\/cultura\/wp-json\/wp\/v2\/posts\/6320\/revisions\/12734"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/www.comuneancona.it\/ankonline\/cultura\/wp-json\/wp\/v2\/media\/12733"}],"wp:attachment":[{"href":"https:\/\/www.comuneancona.it\/ankonline\/cultura\/wp-json\/wp\/v2\/media?parent=6320"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/www.comuneancona.it\/ankonline\/cultura\/wp-json\/wp\/v2\/categories?post=6320"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/www.comuneancona.it\/ankonline\/cultura\/wp-json\/wp\/v2\/tags?post=6320"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
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<\/a>Costruito nel 1827 su progetto di Pietro Ghinelli in stile neoclassico<\/em> con una sala tipica a ferro di cavallo e 4 ordini di palchi, il Teatro delle Muse di Ancona \u00e8 stato riaperto il 13 ottobre 2002<\/strong> come un nuovo oggetto architettonico ricco di una vita propria fatta di evocative giustapposizioni. Danneggiato dai bombardamenti della seconda guerra mondiale \u00e8 rimasto inattivo per molti anni. Il nuovo progetto dei due architetti Danilo Guerri<\/strong> e Paola Salmoni<\/strong>,finito nel 2002, si \u00e8 basato sulla ricerca di un rapporto armonico tra l’interno moderno e le facciate neoclassiche, conservando quanto ha potuto (la scala di ingresso<\/em>, il vecchio atrio<\/em>) e creando una continuit\u00e0 concettuale con lo spazio urbano esterno, l\u00e0 dove si pone l\u2019enfasi degli spazi pi\u00f9 pubblici del teatro (atrio, foyer, sala delle feste). Il risultato \u00e8 un teatro-piazza<\/strong> con materiali che riprendono l\u2019anima nomade e precaria della \u201crappresentazione\u201d (legno e metallo, graticciati e ballatoi) e quella di monumento urbano (mattoni e pietre, forme retoriche e significati collettivi).<\/p>\n